From the Sintesi Container Stage, it’s local legend Dax DJ – going wild with his disco infused selections for the next 120 minutes.
Live from From Disco To Disco’s Weekender, streaming at rocketradiolive.com 📡 channel 1
1. INTRODUCE YOURSELF, WHERE DO YOU GET YOUR INSPIRATION
Hello! My name is Marcus Mixx & I’ve been making House music since 1987. I get my vibes & inspirations from any & everywhere. Since I grew up in a very diverse middle class setting here in Chicago, I love all forms & styles of music. When I record a lot of times it’s a blend of different flavors of sounds. Up until around 2013, I was drinking heavily everyday & that played a big factor too. I love to experiment & play around with sounds & effects regardless of where they’re based from. I do also get pushed by classic House tracks from the 1980’s & ’90’s as well.
2. CHICAGO HOUSE MUSIC SCENE PAST/PRESENT
I was very fortunate to be able to witness the planting of the seeds of House not from the very beginning, i.e., the original Frankie & Ronnie days in their venues. For one, I was in my early teens & I’d heard tons of rumors about it being a “Gay” thing only. But, when I starting finding out about their mixtapes in the streets & the whole concept of mixing songs together & never stopping the music @ parties, I got hooked very fast. I eventually didn’t care if my peers didn’t like the “Gay” aspect of it, because, the music was so outstanding & it took me over. As the years went on & was djing small parties & gigs, as well as, going to the big events 2 hours ahead of time just to meet & beg a lot of the legends in the making of House to let me open up for them for free. Back then, I was willing to carry their records in & out of their car, by them drinks, food, hang posters, pass out plggers, etc.
It was an amazing experience to beat & bang crowds of people that I’ve never met before. Very powerful & meaningful. Lastly, it was mega awesum to have some of the big boys play my records & seeing all of the folks jackin’ & slammin’ to them. That really helped sell my vinyl in the early stages. It was so pure & unstained by today’s commercialization of House. But, even today, House is mainly in my veins & arteries than any other form of music.
3. I HEARD FROM MIKE HUCKABY (DEEP TRANSPORTATION – DETROIT) THAT SEVERAL DETROIT DJS MOVED TO CHICAGO WITH THEIR CAR ALMOST EVERY WEEK TO LISTEN TO CHICAGO’S LEGENDARY WBMX AM & FM. TALK ABOUT THIS RADIO AND THE INCREDIBLE MUSIC SHARED ON THEIR RADIO SHOWS.
When WBMX started letting dj’s mix live on the air (& then on tape), it was the one & only thing to do get prepared for on Friday & Saturday nights regardless of the weather! The Hot Mix Five was perfect too, because, of the diverse styles & songs played by the different jocks. Some would scratch vinyl a little, some would blend right @ the breaks, some would remix two records for five minutes, some would play only the top club stuff, etc. Even in the most racist areas @ the time when it was warm/hot, every bodies car windows were down & crankin’ up WMBX & The Hot Mix Five. @ the beach, the parks, the neighborhoods, even the rival gangs would pump & push the sounds for a while & forget about the bull crap of fighting all of the time! I also noticed that in the clubs. WBMX ran the city for a long wonderful time & even people who hated R&B, slow jams & rap during the regular week, would definetly tune in on Fridays & Saturdays! People also recorded those mixes to whomp on boom boxes & cars, as well as, trade them around & make copies. People from outside of Chicago would pay & beg to get Hot Mix Five tapes.
4. RON HARDY AND MUSIC BOX, THE KEY, THE ONLY GODFATHER OF HOUSE MUSIC
Ron Hardy was not only a House music legend, but, he was really cool to me & he always played my test pressing as soon as i gave them to him in the clubs. I was very lucky to have him give his input & suggestions on a couple of my most popular tracks. He always liked the deepest versions of my music & I paid him for his advise & gave him mixing credits for them all with his permission. I never went to the original Music Box in the early days, due to be underage & not ever being in a “Gay” atmosphere. Once again, name calling back then to a high school kid was redundant like it is now. But, when I turned 18, I was taken over by his style & knowledge of what it took to please & romance a House crowd!
5. FRANKIE KNUCKLES “WAREHOUSE”
Frankie, just like Ronnie was so fuckin’ great to me! He was more open & fun in a sense that he would sometimes joke around. I have a great sense of humor too, but, when I first met him & was next to him, I was shaking like a little kid. One time I asked him could I carry some of the records from the he came into the a venue. he said “O.K.!” As I was stuggling carrying 2 rates he said “If you drop my records, I’m gonna kill you!” I then got really nervous & he started laughing with his friends & said “I’m not worried about you doing anything bad!” – “Thank you!” He, like Ronnie had a unique style of spinnin’, but, Frankie took it way beyond belief some nights by playing The Doors, Zepplen, Pink Floyd & everybody in the club might pause for a second in the beginning of hearing something like that way of out left field, but, we all jacked up up even harder & truly loved whatever he played! He was like a big teddy bear & I didn’t care who saw me drooling of this god with a small g! Simply the best!
6. HOW ITALO-DISCO INFLUENCED CHICAGO HOUSE MUSIC
The Italo Disco & Italian House was very influential in so many ways! One key factor was the simple fact that it was Italian based.
7. WHEN EUROPEAN, ITALIAN SOUND APPEAR IN US CHICAGO RECORD STORES
Tons of DJ’s & House heads really liked the fact that House music was getting so popular around the globe & that the sounds from Italy were adding more bricks to the foundation that started in Chicago. Also, a lot of those songs were getting tons of regular rotation & play on commercial & college radio, because, of the vocals & the easy mid & final breaks. We would remix the hell out them sometimes use them to recharge the crowds. The various tempos of a lot of those tracks also played a big card & drum beats that weren’t always your typical “Four on four” pace.
8. YOUR MUSIC EXPERIENCE DRUM MACHINES, SYNTHESIZERS, SEQUENCERS
I first had hands on experiences with drum machines, synths & sequencers thru L.I.A.M/Gitano Camero @ Head Studios. In the beginning, he only had a 707 & he never used it. His studio (Head Studio) was mainly recording rock & metal so the bands would use real drum kits. When he patched in a beat for me when I recorded my first song “I Wanna House”, he thought that I was nuts. Not only the simply foot, but, why so damn loud & thick. After my first session with him, he insisted that I keep my money & come back for free the following week so that he could learn more about House! I left him a cassette tape of one of my mixes & when we saw each other again, he was a hooked Househead. We played around with his synths & sequencers by adding lots of flange, distortion & whatever else the booze called for. These days, I mainly record on my MacBook, but, the digital versions of those components are just as cool to play around with.
9. LOST LABELS: Missing Dog Records, Missing Records (I Wanna House!)
The labels that I started mainly with LIAM weren’t taken seriously by us, especially me, because, I was getting most of the pub, praise & money for all that was going on. I didn’t focus on building a brand/solid label, mainly because, it was more like a hobby. Even though I’d get orders from the landmark Chicago record stores & distributers, I’d just party the money away & release more stuff @ unknown times & schedules. Even though we recorded scores of other really good House songs that are in the range of “The Spell” to “T.A.P.”, I was doing so many other things, like promoting parties, drinking, DJing, drinking, being with babes, drinking, & so on! I also never went to to any of the founders of House like TRAX & DL International Records, even though they wanted some of my material. I really regret not building up one of the labels that I started & let go so quickly! Pure laziness & of course the booze! All I wanted & needed was to party!
10. ENLIGHTEN US ON YOUR DREAM PROJECT
Well, currently, I’m living out a dream project in a way, because, I’m making music for “TRAX Records” & “Let’s Pet Puppies Records” in Chicago & “WakeUp! Music Group” out of Miami. There are a lot of big House & Nu House legends like Matt Warren, Screamin’ Rachael, Joe Smooth & more that I’m not only recording with, but remixing & also making music videos. My dream project would be to continue to work with old & new skoolers in House without all of the negative crap that usually comes about. It’s too much fun & money for all who want to be “In Da House”!
Marcus Mixx Shannon intw. 06.2019 Family House.
Jamie Watson, nato e cresciuto a South Chicago, vive la sua adolescenza nel periodo in cui esplode l’HOUSE MUSIC.. In quei tempi la “città del vento” era una caldaia musicale in ebollizione e lui la viveva a pieno. Ai dischi Jamie 3:26, in omaggio al leggendario “The Muzic Box” di Ron Hardy, il club che ha segnato la storia per l’evoluzione e le influenze su tutta la musica da ballo..
Il Muzic Box è stata la culla di Jamie, ispirato da mostri sacri come Ronnie, poi Frankie Knuckles e DJ Pierre, collaborando poi con artisti del calibro di Marshall Jefferson, Anthony Nicholson, Glenn Underground, Boo Williams e Paul Johnson, giusto per citarne alcuni..
Le sue produzioni sono marchiate dalle maggiori label come Salsoul Records, Rush Hour, Local Talk, Lumberjacks in Hell, mentre la sua personale 3:26 records è diventata negli anni un caposaldo nella scena mondiale, supportata da Sadar Bahar, Theo Parrish, Motor City Drum Ensemble, sopratutto grazie alla celebre serie “Basement Edits”.
Domenica 16 Luglio 2017 dalle 13.00
PARTY(HARDY) in the wood “Respect Mother Nature”
100 % open air
Chill e Picnic Area
Food & Cocktails Bar
Finest music by:
Contributo organizzativo di € 2
Aperitivo con buffet dalle 18.00
* Partyhardy è una festa diurna. Arriva presto e goditi una giornata all’ombra delle piante, portati un telo per stenderti e rispetta la natura che ti circonda.
* RESPECT MOTHER NATURE
“In the wood”, come quel party che in passato è stato protagonista della scena Vicentina per tanti anni.. Free Spirit era il motto, ovvero danza, libertà e spensieratezza! Party(hardy) in the wood 2017: totalmente immersi nel verde in una location mozzafiato. Rispetta la location, la natura e tutto quello che ti circonda.
NB: In caso di maltempo il party si svolgerà a data da destinarsi.
1. Introduce yourself
My Name is Chris. I am from the south side of Chicago. I have been DJing and collecting Chicago House records since I was 15 years old (about 23 years). I started @House_Nation_Chicago to share my record collection and educate new people about Chicago House, Italo, and Deep House Music. I hope to use these records to tell the stories of the evolution of Chicago House Music.
2. Where do you get your inspiration
I have another instagram page @kanamit_mpc where I service and sell drum machines. I follow a lot of producers and sample cats. I would always see guys post their records and it was always soul or jazz. I didn’t see any page dedicated to House music, so I decided to make @house_Nation_chicago. As a DJ, I get my inspiration from old WBMX mixes by Farley Jackmaster Funk. If I’m trying to produce something I study the greats like Marshall Jefferson, Mr Fingers, Farley, DJ Pierre, etc.
3. Chicago House Music scene past/present
Chicago House Music was able to grow because of the clubs like the Warehouse, The Playground and The Music Box. Those were special places where Frankie, Ron, Jesse and Farley could be play the music they wanted. They could experiment and try different styles of music. Once the city of Chicago changed the laws on juice bars they could no longer operate and that almost killed the scene here. There are always house parties going on in the city. Of course there are certain clubs that always play house, but I don’t think anyone can duplicate the feeling or sound of the Music Box. A few times a year there will be a big Hot Mix 5 party or Farley’s B Day bash. The biggest event of the year is the Chosen Few Picnic. It takes place in a park by the lake. Theres no dress code and no age limit. I think that is really where people can go and just be free with the music. There’s young and old, black and white. People just go there for the music and to have fun.
4. I heard from Mike Huckaby (Deep Transportation – Detroit) that several Detroit djs moved to Chicago with their car almost every week to listen to Chicago’s legendary WBMX AM & FM. Talk about this radio and the incredible music shared on their radio shows.
In my opinion WBMX is the big part of the puzzle that really gets overlooked. You see, Chicago was a very segregated city. You have black neighborhoods, white neighborhoods, Mexican, Puerto Rican, etc. People stayed in their own neighborhoods. Back in the 80s The Warehouse was a gay black bar. Most people were not going to party there. Wbmx is very important because it allowed the music to reach everyone in the city. WBMX Program director Lee Michaels had a city wide dj competition. Everyone submitted tapes, even Frankie Knuckles. Lee selected 6 DJs with different styles to represent the different parts of the city. The DJs he picked became known as the HOT Mix 5. (The 6th guy never showed so they ended up with 5) Instead of going to a club you could hear this music on Friday or Saturday night from you car or bedroom. This is what really helped get the music to everyone around the city. The type of music they played, how they played it, and the skill that they had was never ever seen or heard before.
5. Ron Hardy and Music Box, the key, the only godfather of house music
Everyone loves Frankie and there wouldn’t be a movement without him and the Warehouse, but it was Ron Hardy who made Chicago house as we know it today. Anything that Marshall Jefferson made he took to Ron. Ron was playing these tracks and no one ever heard of Virgo or Marshall Jefferson. Dj Pierre gave Acid Tracks to Ron. Ron played it 4 times. The first 3 times no one danced. The fourth time the crowd went crazy. He was a pioneer. I don’t think house would have evolved the way it did without him.
6. Frankie Knuckles “Warehouse”
Chicago didnt have any club scene in the 70s. Chicago was dead compared to New York. It wasn’t until Robert Williams opened the Warehouse and invited Frankie to be the resident. This was where it all started for Chicago. Frankie was playing underground disco. People started to talk about it and went to experience the music. They didn’t care that it was a gay club. The music became so popular guys would go into Imports Etc and ask for that house music. Referring to music that was played at the warehouse.
7. Sadar Bahar currently the ambassador of Chicago Disco, Boogie
Sadar Bahar has stayed true to the original meaning of house. That is the underground disco that was played at the warehouse. He is known for possessing some of the rarest records from that time. He created his own identity by doing the opposite of everyone else. DJs would all play the same popular cuts and he did the opposite and started digging for rare obscure tracks. He definitely is in a class of his own.
8. How Italo-Disco influenced Chicago House Music
I think Italo Disco had a major influence on the Chicago House sound. The Hot Mix 5 was playing alot of Italo Disco and imports. Jesse Saunders and Farley played imports at the Playground. You can really hear the similarities in the drum patters in songs like Chi Chi Liah – Proud Mary or Alessandro Novaga – Electronic Drums. That music heavily influenced early house production.
9. When European, Italian sound appear in US Chicago Record Stores
Those records started to show up around 81 – 83. They were not available in every store. There were only 2 places in Chicago where you can get imports. One was the legendary Imports Etc and Loop records. A good example is Hypnotic Tango. I think they sold 30,000 copies of that record here. They kept the pressing plant open just to supply the stores in Chicago.
10. Your music experience drum machines, synthesizers, sequencers
I’m always working and learning. As I said I buy and sell drum machines. Mainly the mpc. I currently work on the MPC 3000, Roland Tr8, Roland TB03, and a Korg Minilogue. I have experiences with all of the MPCs but like using the 3000. I don’t use any software for creating. I think all of the advances in technology have killed creativity. Its not always true, but simple is better to me. Listen to the music that was made with a 909 and a jupiter (Mr Fingers Can You Feel It). Everyone is doing too much now. Faster workflow yes but not necessarily better music.
11. Talk about the House Music documentary you create
I have not made any documentaries yet. I have been very fortunate that I have made some relationships with guys like DJ Pierre and Jesse Saunders. If i get the opportunity I would like to do a documentary focusing on how the music was made or how the relationships were formed. These guys were kids and were taken advantage of. theres a lot people don’t know about. Im interested in the gear that was used and the ideas behind some of the songs. Many of those stories never get told because everyone documents the same thing over and over.
12. Enlighten us on your dream project
My dream project is to release a Jack Trax EP on Afro Acid which is DJ Pierre’s Label. Releasing an EP has always been a goal of mine but to do it with the Legendary DJ Pierre on his label would really be something special to me.
CHRIS “THE INCREDIBLE” HOUSE NATION CHICAGO intw. 06.2017 Family House.
SADAR BAHAR (Soul in the Hole – Chicago)
Sadar Bahar è molto più di un Dj. Sadar Bahar è un pezzo della storia di Chicago, dei suoi club e delle sue sonorità. È difficile etichettare il sound di questo artista, perché come lui stesso ha dichiarato:
“Mentre tutti i dj andavano da una parte, io ho scelto una direzione diversa”.
E questa strada lo ha portato a creare uno stile tutto suo, ribattezzato “Soul in the Hole”. Influenze: soul, funk, boogie, disco arricchite dal suo gusto e ricerca; lunghe ore passate nei negozi di dischi, mercatini per scovare suoni dimenticati, “nuovi”. Una caccia ossessiva, che lo ha portato a essere un vorace collezionista di vinili.
” YOU HAVE TO DO .. YOU! ” SADAR BAHAR CDR Berlin interview
“Massì, voglio semplicemente diventare uno dei più grandi collezionisti del mondo” …
Sadar Bahar te lo dice ridendo, perché in lui il buonumore è continuo e contagioso, ma in realtà sta affermando una cosa maledettamente vera. Il suo arsenale di vinili è praticamente sterminato. Chicagoano, cresciuto inevitabilmente col mito di Ron Hardy, ad un certo punto si è reso conto che i dj della sua città tendevano a comprare tutti gli stessi dischi negli stessi posti. Lì è partita quella che lui chiama “…una malattia lunga ormai più di trent’anni”: cercare di tutto, essere un cacciatore maniacale di vinili. La differenza? Li suona divinamente (Damir Ivic).
Bahar è stato definito da Theo Parrish “il DJ dei DJ”.
Musica calda, seducente, piena di melodie cosmic e vodoo funk, Vi aspettiamo al Perarock!
Venerdì – Friday
19 Maggio 2017
22:00 – 04:30
PARTYHARDY004 – inthewoodpreparty
– Members Only –
* Lista / Guest list Contact +39 342 7403042
via Lago di Fimon, 117 – Arcugnano (Vicenza)
Aspettando – partyhardy – in the wood …
Per qualsiasi info: 3427403042
PARTY(HARDY) in the wood
“Respect Mother Nature”
from 11 am to 11 pm
100 % open air