
* NODISKO intw. with Magic Jase
and Zak Frost by Dax DJ
Nodisko: from Sunday-night to Friday’s hottest new
season! tell us…
Magic Jase: “And
it all happened so quickly – just two years! Seriously
though, when we first started out doing our Sunday parties
it was just somewhere for Zak and I to play the records
we love, invite down our mates as guest DJs and finish
off the weekend.”
Zak Frost: “And
it somehow just developed from there. Two years ago there
was a real gap in the market in West London for a club
that was passionate about fresh-sounding music, run by
people who cared about a great party every week. We filled
that gap, word got around slowly but surely, and we built
from a few people into a guaranteed roadblock every week”.
How you introduce new cutting-edge
electro sounds (Italo, nu-disco, electro-house, etc)?
Zak Frost: “We
have always just played the music we love, and we’re
not afraid to totally change the tempo and style throughout
the night. It sounds clichéd but to me there are
only good records and bad records – we were playing
the best Italo, punk-funk and electro-house records long
before they became fashionable, and will probably still
be playing them when everyone else has moved onto something
else”.
Other Clubs in London? Copy your experience?
Magic Jase: “When
we first started doing our parties, West London and Notting
Hill was a very dull place to go out: five or six years
ago when the area was the hot spot of the capital, deep
house, afro-beat and jazzy house were huge, and genuinely
exciting. When we started, the clubs were still playing
this music and all of the more risky electronic dance music
was getting played in clubs in the East End of London.
There was nothing going on that was anything like Nodisko
at the time. As our night got bigger, there have been quite
a few new parties starting where they’ve been playing
the same kind of music, booking similar DJs – Mylo,
The Glimmers, Tim Sheridan – and tried to do what
we’ve done. They never really took off, and those
that are still going are only on every month or even less
than that. It’s good to know we tried something different – and
succeeded!”
Talk about the importance of the
sound for your Club night.
Magic Jase: “The most
important thing about Nodisko, right from the start, has
been the music policy. And it probably took about 6 months
to find it’s feet. The Nodisko sound is cutting-edge
electronic dance music, which can be anything from the
nu-disco of Jacques Lu Cont and Daniel Wang to modern-day
techno produced by John Tejada and Tiefschwarz, but always
with a fun party edge to it which makes it more accessible
to everybody – and gets the girls dancing! It takes
influences from Italo, punk, electro, house, disco, rock,
pop, even more commercial tracks that fit our sound. Imagine
a mix of Berlin’s hypnotic electro and techno, spaced-out
Balearica from Ibiza, Italy’s dark, groovy Italo-influenced
house, the anything-goes sensibility of Belgium’s
club scene and a little Scandinavian eccentricity, plus
a decidedly British-born ‘fuck you’ attitude,
you’re very close! We really believe it’s unique.”
Coming artists and surprises.
Zak Frost: “I’m
so happy with our line-ups - I think we have a very fresh
mix of the kind which has never really been seen before
in West London, and which will perfectly compliment the
sound myself and Jase have made for the club. Personal
highlights for me will be The Idjut Boys - who are still
in my eyes the worldwide kings of dub disco - as I used
to play with them a lot a few years ago but haven’t
for a long time. Also I can’t wait for November 4th
when Freaks will be taking over a whole room for six hours – Justin
Harris, Luke Solomon and Johnny Rock all playing together,
for perhaps the first time, I think. Most clubs would be
delighted to have any one of them headlining so we’re
very lucky to have them all playing together in a tiny
room for a hundred or so people. Also look out for lots
of unannounced special sets from surprise guests.”
Magic Jase: “We’ve
got all sorts of special things coming up, including very
rare London DJ sets from Bent and the Rooty DJs, who usually
only play at summer festivals, Ibiza or big clubs like
Fabric, DJs playing alternative sets like Serge Santiago,
who’ll be doing an Italo-disco set, plus loads of
big names who never usually play in west London or at clubs
of this size. Some of the people I’m most excited
about getting to play are Geoffroy, who’s the boss
of Hi-Phen Records and works with the Suicide gang in Belgium,
Greg Wilson, who’s rightly regarded as one of the
first British DJs to champion electronic disco music in
the early ‘80s, and Frank Tope, who in my opinion
is one of the best leftfield house DJs in the UK right
now: he can play everything from rocking house sets to
Balearic, soul and disco right through to really obscure
Italo… I’ve seen him play at loads of festivals
and he’s bloody good at them all!”

Your vision in Nodisko music.
Magic Jase: “A lot’s
changed in the last two years in dance music. What was
underground – electronic house, minimal dance music,
the whole German sound, dance music with guitars and rock
influences – is quickly becoming bigger and more
commercial, and is even getting in the charts. But that’s
not something we think about: as we go on our sound gets
stronger and there’s even more amazing music being
made now then there was in 2003. I suppose personally I’m
getting more and more into techno and the Italian club
sounds, the Pigna and Nature sound, which is some of the
sexiest jackin’ house being made right now, and the
music made by Italo-influenced producers like Serge Santiago… but
it’s more than that. We let our ears lead the way.”
Zak Frost: “As I said
earlier, we really don’t think about ‘the vision
of Nodisko’ or ‘introducing new sounds’ – we
just play what we like and what we think the audience will
like, and generally it seems to work!”
London now and future of Club Culture.
Zak Frost: ”I don’t
know much about what else goes on in London – I’m
happy enough at Nodisko and my euro gigs so don’t
have the time or inclination to go out clubbing in London.
There always seems to be so much on though, loads of clubs
with the best DJs and live acts in the world. However I
think the future of club culture will feature to some extent
the death of the superstar DJ, and I think this is a very
good thing. Obviously some DJs are better than others but
I think people will start to realise that it’s more
fun to go to a good party than to pay £20 to watch
some ‘superstar’ in a sterile environment.
I also think that more and more people want more variety
from a club – most people have very varied music
collections at home and don’t want to hear one thing
all night when they go out. That’s what we’re
doing with the new Nodisko parties – three very different
rooms of music, whether it be jackin’ dance, mixed
up house party sounds or more cosmic Balearic beats, but
all with that special Nodisko vibe.”
Magic Jase: “The East
End still seems to be the place where most of the exciting
parties, clubs nights and warehouse parties go on, but
many of those don’t interest me at all: a lot of
them are still very electroclash-influenced, too much punky
noise, and the clubs playing the good music are always
full of art school types and people taking ketamine. It’s
a drug I don’t understand and when you go to a party
where people are taking it, the atmosphere’s flat.
Nodisko’s already west London’s best party,
very soon we’ll become its biggest! As for north
and south London? Forget it!”
Ultimo Disko and your Gig @Fabric!
Magic Jase: “As the
name suggests, our monthly Ultimo Disko parties at AKA
are very European-based: nearly all of the guests are producers
and DJs from the continent we love but who aren’t
that well-known in the UK yet. We’ve had people like
Unit 4 from Clone Records, Guglielmo Mascio of Rome’s
Nu Funk Klan, one of Italy’s rising stars and a big
favourite of ours, Denmark’s leading underground
club and radio DJ Thomas Madvig, and fresh new producers
like Fabrizio Mammarella. As you can tell there’s
quite an Italian thing going on! We called it ‘Ultimo
Disko’ because we wanted the night to be about the
energy and madness you get from the audience at the end
of the night in Italy’s clubs, when they shout out
to the DJ for the ‘ultimo disco’, or last tune.”
Zak Frost: “I’m
really looking forward to our gig at Fabric, where we’ll
be taking over Room Three all night with myself and Jase
joined by my old friend Guglielmo Mascio from Italy. I
have played at Fabric twice before as part of the Afro
Art Records Soundsystem, and really enjoyed it both times.
When I played in 2003 we ended up playing two hours past
closing time with Robert Owens doing an unannounced live
vocal set in the booth. But my sound has changed a lot
since then and I can’t wait to play there as part
of Nodisko, which has been our baby from day one, instead
of as part of a record label night.”
Your best italo vinyl on your DJ
bag.
Magic Jase: “So many
to choose from! Some that spring instantly to mind are
Jago ‘I’m Going To Go’ and XYZ ‘Can
We Go’, which are both quite down-tempo but very
groovy music to listen to. A couple of others that never
leave my box are Lama’s ‘Love On The Rocks’,
Vallery Allingston ‘stop’ and the Galactica
Remix of Mike Mareen’s ‘Dancing In The Dark’,
neither of which are strictly Italo but are heavily influenced
by the sound and made at around the same time. ‘Hand
Jive’ by Rinder and Lewis always does it for me,
and Gino Soccio’s ‘Dancer’ is a Nodisko
favourite too.”
Tell what you want…
Zak Frost: “We want
nothing more than your feet on the dancefloor and your
hands in the air…”
Jase
and Zak "Mohito Champagne"
NODISKO 2 part >